Reference no: EM133452400
Article: Read the attached pages 2-9 in the attached article. Interrupted communities modern dance in germany.
Questions: Please submit your responses in question and answer format with correct numbering. All answers are worth 1 point
1. Which two American modern dance pioneers traveled to Germany in the early 1900s to share their modern dance performances?
2. What was the German translation of "Dance of Expression" during the 1920s called?
3. Why did Ausdruckstanz nearly disappear from the 1930s-1960s?
4. What was German dance called when it reappeared in the 1960s (both the German and the American translation)?
5. These people wanted to "elevate expression over form and viewed dance as a mode of social engagement":
6. What does the German expressionism dance form oppose?
7. What modern dance pioneer said "The dancer of the future......will realize the mission of a woman's body and the holiness of all its parts....She will dance the freedom of a Woman."
8. What did the spectacular ballet of the 19th century require?
9. What did the new modern dance form require?
10. What did the new modern dance form free men and women to do?
11. Who appeared in a variety of androgynous dance rolls, no longer limited to the role of male partner to the ballerina (a female ballet dancer).
12. Dalcroze opened his institute in 1910 to mingle what?
13. What was Dalcroze's method of teaching musical concepts through movement called?
14. This Dalcroze choreographic collaboration struck a responsive chord among visual and theatrical artists, heralding it as a "sign of a new union of the arts".
15. Who said: "My group does not dance feelings. Feelings are far too precise, too distinct. We dance the change and transformation of spiritual states as variously manifested in each individual."
16. Rudolf Laban gave theoretical definition to Ausdruckstanz and believed what (about modern society and dance)?
17. What did Laban's "free dance" concept emphasize?
18. Where did Laban meet Mary Wigman?
19. What prop did Mary Wigman use that transcended the individual soloist projection of the spontaneous self?
20. Describe the partisan of Laban vs. Wigmans aesthetics.