What part of his strategy for applied visual anthropology

Reference no: EM133322140

Question 1: Biella argues that his primary set of student-collaborators are those who enter his program to study filmmaking and anthropology at San Francisco State University's Program in Visual Anthropology. Imagine to be a student of Prof. Biella and that he asks you to go over his 2009 draft of the article "Collaboration in Conflict: The Maasai Migrants Film Project". What part(s) of his strategy for applied visual anthropology do you think is more effective or not effective, and which one would you like to implement or follow through in a project of yours in the future?

Question 2: In which way the explosion of visual media in recent years has generated a wide range of visual and digital technologies which have transformed visual research and analysis according to Sarah Pink? And more specifically after Jay Ruby, do you think that if performance provides ethnographic film with a way of considering culture that is filmable, there is an approach to film that will fit this view of culture?

Reference no: EM133322140

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