Reference no: EM133542252

Question: What is the film maker John Singleton's along with the actor's such as Cuba Good jr. in his films points of view when it came to the representation of the African culture through his many films? How do these films reflect the themes and topics historicism, white patriarchal capitalism, neo-blaxploitation, Black buck, uncle tom stereo type, jim crow law, coon stereotype and black and white friendship stereo type? Did the film maker John Singleton and the many actors who starred in films try to break away from the neo-blaxploitation violent gangster type and UncleTom Stereo type or any of the terms mentioned? what other stereo types were reflected in these films directed and made by John Singleton? How do the movies that film maker John Singleton look at movies of the 1970's and 80's? How did John Singleton view history? How can the movie Boyz in the Hood (1991) tie in with historicism? How has the film maker John Singleton's success lead to many African American directors being able to create movies? What recurring themes, language, or identifiable production elements do you notice between his many films? Who are the targeted audiences for his films? What type of film lighting techniques were used in film maker John Singlton's films that goes beyond the standard three-point lighting setup to add drama, depth, and atmosphere to his stories?