Reference no: EM133486736
Question:
What is a "Disney Imagineer"? (Samuel 119, fn. 25).
Define pilgrimage (Campo 41).
Discuss Juan Campo's three types of pilgrimage groups (Campo 40).
Using Campo's categories, how would you organize the following: Mount Rushmore, Graceland, Gettysburg, Disneyland, and The Mormon Temple?
How does Disneyland serve as a "rite of passage"? (Aronstein 58-59).
How is religion a function of modernity? (Arnal 4-5, 7).
How does the Disney ideology work to "retain a positive or utopian orientation"? (Arnal 5).
What is "Disney University"? (Wasko 92).
What are some of the taboos "cast members" must avoid in order to "preserve the ‘magical' guest experience"? (Wasko 92-94).
What is "myth" for Scott Schaffer? (Schaffer 2).
What do you think is meant by the term "Distory"? (Schaffer 11, 13, 1, 4, 7). How does this relate to what Erin Labbie called "revisionary medievalism"? (Labbie 98).
How is time the defining nature of Disneyland? Explain (Schaffer 9-10).
Discuss the process of "decontextualization" of the Disneyland attractions (where history, geography, and politics cease to exist). Give examples of this "timeless" theme (Schaffer 9-10)
According to the Gardella article, which American heroes are celebrated at Disneyland?
Are the animated features more "timeless" than the live-action Disney films? If so, explain why (Schaffer 11).
How does Schaffer explain the financial failure of EuroDisney? (Schaffer 12)