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Question 1) What do you enjoy about making theater? What surprises you about making theater? Why?
Question 2) What do you find frustrating or challenging about making theater? Why?
Question 3) What questions do you still have about designing, acting, directing, and/or playwriting?
Question 4) Anything else?
Focus on a clear issue that is controversial and under debate at the current tim. Summarize the background of the issue and the current context.
Your paper will include a clear thesis, which will explain your argument and its connection to a theoretical reading of the text.
If you were a member of the IRB reviewing this research, how would you suggest the researcher modify the research methods to make the research ethical?
Write a project paper on the Purloined letter by Edgar ALlan Poe.
Write a paper about the article "THE PAIN OF OTHERS" by Susan Sontag.
How do the sound-related impacts impart the ballad's fundamental subject in "On the grounds that I couldn't stop for Death"? How does the sound of the words add to the ballad's state of mind?
Develop your own personal code of ethics in which you articulate at least six (6) and not more than ten (10) core values that you feel fundamentally inform your sense of identity, your actions, and your beliefs or personal world view.
Write a research paper about Daniel Chappie James Jr.
Describe how do the speeches of Lear's daughters, the Fool, and Kent also indicate this downward movement, regarding Lear's position?
With all that in mind, why does Chekov subtitle this play A Comedy in Four Acts?
What is the assembly-line efficiency?
How does Chekhov intend us to feel about Dmitri Gurov - explain the irony of the necklace in "The Necklace" by Guy de Maupassant.
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