Reference no: EM13651413
What are the major stylistic elements operating in a specific passage (copied below) of Virginia Woolf's novel "Mrs. Dalloway" and how do these elements function within the passage to illuminate aspects of Woolf's general style in the novel and to specifically address the aspects of the character Peter Walsh's personality?
"He pulled off his boots. He emptied his pockets. Out came with his pocket-knife a snapshot of Daisy on the verandah; Daisy all in white, with a fox-terrier on her knee; very charming, very dark; the best he had ever seen of her. It did come, after all so naturally; so much more naturally than Clarissa. No fuss. No bother. No finicking and fidgeting. All plain sailing. And the dark, adorably pretty girl on the verandah exclaimed (he could hear her). Of course, of course she would give him everything! she cried (she had no sense of discretion) everything he wanted! she cried, running to meet him, whoever might be looking. And she was only twenty-four. And she had two children. Well, well!
Well indeed he had got himself into a mess at his age. And it came over him when he woke in the night pretty forcibly. Suppose they did marry? For him it would be all very well, but what about her? Mrs. Burgess, a good sort and no chatterbox, in whom he had confided, thought this absence of his in England, ostensibly to see lawyers might serve to make Daisy reconsider, think what it meant. It was a question of her position, Mrs. Burgess said; the social barrier; giving up her children. She'd be a widow with a past one of these days, draggling about in the suburbs, or more likely, indiscriminate (you know, she said, what such women get like, with too much paint). But Peter Walsh pooh-poohed all that. He didn't mean to die yet. Anyhow she must settle for herself; judge for herself, he thought, padding about the room in his socks, smoothing out his dress-shirt, for he might go to Clarissa's party, or he might go to one of the Halls, or he might settle in and read an absorbing book written by a man he used to know at Oxford. And if he did retire, that's what he'd do - write books. He would go to Oxford and poke about in the Bodleian. Vainly the dark, adorably pretty girl ran to the end of the terrace; vainly waved her hand; vainly cried she didn't care a straw what people said. There he was, the man she thought the world of, the perfect gentleman, the fascinating, the distinguished (and his age made not the least difference to her), padding about a room in an hotel in Bloomsbury, shaving, washing, continuing, as he took up cans, put down razors, to poke about in the Bodleian, and get at the truth about one or two little matters that interested him. And he would have a chat with whoever it might be, and so come to disregard more and more precise hours for lunch, and miss engagements, and when Daisy asked him, as she would, for a kiss, a scene, fail to come up to the scratch (though he was genuinely devoted to her)- in short it might be happier, as Mrs. Burgess said, that she should forget him, or merely remember him as he was in August 1922, like a figure standing at the cross roads at dusk, which grows more and more remote as the dog-cart spins away, carrying her securely fastened to the back seat, though her arms are outstretched, and as she sees the figure dwindle and disappear still she cries out how she would do anything in the world, anything, anything, anything....
He never knew what people thought. It became more and more difficult for him to concentrate. He became absorbed; he became busied with his own concerns; now surly, now gay; dependent on women, absent-minded, moody, less and less able (so he thought as he shaved) to understand why Clarissa couldn't simply find them a lodging and be nice to Daisy; introduce her. And then he could just - just do what? just haunt and hover (he was at the moment actually engaged in sorting out various keys, papers), swoop and taste, be alone, in short, sufficient to himself; and yet nobody of course was more dependent upon others (he buttoned his waistcoat); it had been his undoing. He could not keep out of smoking-rooms, liked colonels, liked golf, liked bridge, and above all women's society, and the fineness of their companionship, and their faithfulness and audacity and greatness in loving which though it had its drawbacks seemed to him (and the dark, adorably pretty face was on top of the envelopes) so wholly admirable, so splendid a flower to grow on the crest of human life, and yet he could not come up to the scratch, being always apt to see round things (Clarissa had sapped something in him permanently), and to tire very easily of mute devotion and to want variety in love, though it would make him furious if Daisy loved anybody else, furious! for he was jealous, uncontrollably jealous by temperament. He suffered tortures! But where was his knife; his watch; his seals, his note-case, and Clarissa's letter which he would not read again but liked to think of, and Daisy's photograph? And now for dinner."