Seemingly contradictory critical approaches to feminist film

Reference no: EM133289347

Assignment:

Ruby Rich, in considering two seemingly contradictory critical approaches to feminist film - American, rooted in social realism and British rooted in theory and methodology - suggests that criticism is richest when it permits a generosity of both sensibility (personal testimony) and methodology (theory) that will appeal to all women making and/or viewing film. (I'm presuming that she would also include any feminist-minded person in her definition.)

In what ways do you see the documentary Forbidden Love bringing together these two critical approaches? What insights and/or questions did the film raise for you?

Reference no: EM133289347

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