Reference no: EM131776321
Sinclair Lewis
Sinclair Lewis' (1885-1951) satire of small town life in America of the 1920s is a subtle yet scathing attack on American conventionalism and materialism. The narrow-minded suburban businessman George F. Babbitt speaks in clichés and buys every gadget on the market, but does not live. The following excerpt details the Babbitt home, in all of its emptiness. Read it, and proceed to the exercise. If you'd like to read the entire novel, it is available online. Just click on the author's image.
Sinclair Lewis' Babbitt (1922)
Relieved of Babbitt's bumbling and the soft grunts with which his wife expressed the sympathy she was too experienced to feel and much too experienced not to show, their bedroom settled instantly into impersonality.
It gave on the sleeping-porch. It served both of them as dressing-room, and on the coldest nights Babbitt luxuriously gave up the duty of being manly and retreated to the bed inside, to curl his toes in the warmth and laugh at the January gale.
The room displayed a modest and pleasant color-scheme, after one of the best standard designs of the decorator who "did the interiors" for most of the speculative-builders' houses in Zenith. The walls were gray, the woodwork white, the rug a serene blue; and very much like mahogany was the furniture--the bureau with its great clear mirror, Mrs. Babbitt's dressing-table with toilet-articles of almost solid silver, the plain twin beds, between them a small table holding a standard electric bedside lamp, a glass for water, and a standard bedside book with colored illustrations--what particular book it was cannot be ascertained, since no one had ever opened it. The mattresses were firm but not hard, triumphant modern mattresses which had cost a great deal of money; the hot-water radiator was of exactly the proper scientific surface for the cubic contents of the room. The windows were large and easily opened, with the best catches and cords, and Holland roller-shades guaranteed not to crack. It was a masterpiece among bedrooms, right out of Cheerful Modern Houses for Medium Incomes. Only it had nothing to do with the Babbitts, nor with any one else. If people had ever lived and loved here, read thrillers at midnight and lain in beautiful indolence on a Sunday morning, there were no signs of it. It had the air of being a very good room in a very good hotel. One expected the chambermaid to come in and make it ready for people who would stay but one night, go without looking back, and never think of it again.
Every second house in Floral Heights had a bedroom precisely like this.
The Babbitts' house was five years old. It was all as competent and glossy as this bedroom. It had the best of taste, the best of inexpensive rugs, a simple and laudable architecture, and the latest conveniences. Throughout, electricity took the place of candles and slatternly hearth-fires. Along the bedroom baseboard were three plugs for electric lamps, concealed by little brass doors. In the halls were plugs for the vacuum cleaner, and in the living-room plugs for the piano lamp, for the electric fan. The trim dining-room (with its admirable oak buffet, its leaded-glass cupboard, its creamy plaster walls, its modest scene of a salmon expiring upon a pile of oysters) had plugs which supplied the electric percolator and the electric toaster.
In fact there was but one thing wrong with the Babbitt house: It was not a home.
- In what way does the above excerpt represent an attack on American conventionalism and materialism?