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1. As we have discussed, Hildegard of Bingen was one of the only known composers (not anonymous) of the Middle Ages, and one of first known composers of Western music. Her music was very innovative during her lifetime, and was distinctly different than Gregorian chant. However, her work was largely ignored by scholars for centuries following her death. Why do you think this might have been?
2. Palestrina's style is often compared to the musical style of Gregorian chant. Compare the characteristics of each. What are the similarities? What are the differences?
3. Compare/contrast the role of repetition in the musical form of Hildegard of Bingen's In principio omnes, Binchois' De Plus en Plus and Du Fay's Se la face ay pale (chanson, NOT mass).
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