How had filmmakers changed their approach to masculinity

Reference no: EM133736374

How had filmmakers changed their approach to masculinity during the emergence of film noir in Little Ceasar (LeRoy 1931), The Public Enemy (Wellman 1931), Scarface (Hawks 1932) compared to Porte des Lilas (Clair 1957), Branded to Kill (Suzuki 1967), The Getaway (Peckinpah 1972), as well as their approach to the specific style these movies were created with?

Reference no: EM133736374

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