Reference no: EM132444027

Bear in mind what you learned about Imagism as you answer one of the following questions geared towards showcasing what you've learned about this aspect of the Modernist movement. NO OUTSIDE SOURCES may be used for this and other discussion posts.

Question 1) Pound's definition of the image was "that which presents an intellectual and emotional complex in an instant of time." How does "In a Station at the Metro" fall in line with this definition? What is the intellectual and emotional complex being presented here?

Question 2) If Imagist poetry deals with fleeting associations, what role is Helen as a figure playing in this poem? What revisions are being made to the myth in terms of how Helen is represented?

Question 3) William Carlos Williams is famous for turning ordinary objects into poetic subjects with meaning. How does he accomplish this in "The Red Wheelbarrow"? What overall tone or feeling are you left with at the end of this? How does "The Red Wheelbarrow" work within the scope of Imagism?