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1. Following what you have read in James Curtis' article, describe in your own words how Jacob Riis was able to have a candid picture that is captioned in the article as "Five Cents Lodging, Bayard Street." What constraints could Riis have had and what might he have done before he could take a photograph?
2. Walker Evans was likely to have faced the same constraints as did Jacob Riis or perhaps even more, but historians and art critics praise Evans' photography for its clarity and precision. Looking at the two pictures presented in Evans' name in the article, summarize in your own words of at least five sentences, James Curtis' argument against the possibility that Evans' photographs were "candid, unposed images."
3. Explain what James Curtis calls companion images. How do companion images of FSA photographers such as Dorothea Lange and Russell Lee work against any attempt by the FSA photographers to edit their own work? In at least three sentences, describe how another companion image betrays Russell Lee's memory of the photograph captioned as Christmas Dinner in Iowa.
4. What role does caption play in the interpretation of photographs? How does James Curtis compare and contrast Russell Lee's Iowa photographs and captions with those of Mexican households in Texas?
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