Reference no: EM133366216

Question: How does Hosseini use the detail of the setting to convey Amir's experience of returning to a place he knew in his youth? How do these details contribute to Amir's tone and the mood of the excerpt?

Case Study: I remembered Peshawar pretty well from the few months Baba and I had spent there in 1981. We were heading west now on Jamrud road, past the Cantonment and its lavish, high-walled homes. The bustle of the city blurring past me reminded me of a busier, more crowded version of the Kabul I knew, particularly of the Kocheh Morgha, or Chicken Bazaar, where Hassan and I used to buy chutney-dipped potatoes and cherry water. The streets were clogged with bicycle riders, milling pedestrians, and rickshaws popping blue smoke, all weaving through a maze of narrow lanes and alleys. Bearded vendors draped in thin blankets sold animal skin lampshades, carpets, embroidered shawls, and copper goods from rows of small, tightly jammed stalls. The city was bursting with sounds; the shouts of vendors rang in my ears mingled with the blare of Hindi music, the sputtering of rickshaws, and the jingling bells of horse-drawn carts. Rich scents, both pleasant and not so pleasant, drifted to me through the passenger window, the spicy aroma of pakora and the nihari Baba had loved so much blended with the sting of diesel fumes, the stench of rot, garbage, and feces. A little past the redbrick buildings of Peshawar University, we entered an area my garrulous driver referred to as "Afghan Town." I saw sweetshops and carpet vendors, kabob stalls, kids with dirt-caked hands selling cigarettes, tiny restaurants - maps of Afghanistan painted on their windows - all interlaced with backstreet aid agencies. "Many of your brothers in this area, yar. They are opening businesses, but most of them are very poor." He tsk'ed his tongue and sighed. "Anyway, we're getting close now."