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Question 1: What are some ways in which the film's mise-en-scene, cinematography, editing, and music suggest ways in which the main character, Tsotsi, is trapped at the beginning of the story, although he apparently lives in a free world?
Question 2: How does this independent South African film itself resist the Hollywood treatment (in terms of settings, music, and plot resolution)?
Question 3: How does the ending of Tsotsi compare to that of a classical Hollywood narrative? Compare the effect of these different endings on the viewer. Does this type of ending add to or detract from the story? What fate do you envision for the two main characters: Tsotsi and Miriam? How do such themes as hope and redemption play into this ending?
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