How do soyinka and clark incorporate common motifs

Reference no: EM133681158

Question: How would you apply the concepts of langue and parole to the two iterations of "Abiku" by Wole Soyinka and John Pepper Clark? How do Soyinka and Clark incorporate common motifs, imagery, or references, and gendering in their poems, and how do they differ? Use a range of examples from Soyinka's and Clark's poems to back up your argument. I am interested in your response to these poems, not in secondary sources as such. Feel free, of course, to refer to Allen's Intertextuality.

Reference no: EM133681158

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