Reference no: EM132528007
1. Eminent domain is a hotly contested topic in the United States. Typically, opponents see it as an unjust taking by the government, and supporters state it is needed to serve the public.Additionally, border walls and the construction of such walls is a highly polarized issue right now. Regardless of its merit, the topic does bring up an interesting legal question when using eminent domain. Discuss if you believe, based on the law, using eminent domain is allowable for the construction of border walls.
Lastly, have you or anyone in your family ever experienced an eminent domain taking at the local, state or federal level? If so, what was the outcome?
2. Do you think the law does enough to protect tenants from landlords? What about protecting landlord from tenants?What laws are there protecting tenants (or landlords) in your state?
3. Every organization is formed into an entity of some sort, and is usually done to protect individuals from liabilities connected with business operations. If you were starting your own business, which entity formation would you use--sole proprietorship, partnership, LLC, or corporation? Why? Which entity formation would you never use? Why?
4. Contracts are the backbone of every business. Most are in writing but even those that are oral are just as important. Contracts are the tools that enforce promises between all parties included. However, there are formal requirements that must be fulfilled for a contract to be considered enforceable. Typically an offer, acceptance, consideration, legality and capacity are required. Do you believe contracts should require fewer formalities to be enforceable? Lastly, have you ever experienced a breach of a contract? How did you handle the consequences from the breach?
5. Describe why the short period from 1905 to 1910 was crucial to the development of modern art and modern physics.
6. Explain the meanings of "total architecture" and "machines for living."
7. Explain why some critics explain Conceptual art as an attack on the economics of art.
8. Why must contemporary art now be considered on a worldwide or global basis?