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Question: In "Her Cargo: Adrienne Rich and the Common Language," a 1979 essay examining the poet's work over almost thirty years, Alicia Ostriker offers the following analysis of Rich's early poems, including "Living in Sin" "They seem about to state explicitly... a connection between feminine subordination in male-dominated middle-class relationships, and emotionally lethal inarticulateness for both sexes. But the poetry... is minor because it is polite. It illustrates symptoms but does not probe sources. There is no disputing the ideas of the predecessors, and Adrienne Rich at this point is a cautious good poet in the sense of being a good girl, a quality noted with approval by her reviewers. Does your reading of "Living in Sin" support Ostriker's characterization of the poem as "polite" and "cautious"?Do you think Rich is "being a good girl"?
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