Reference no: EM133201946
Question 1
A body of ideas reflecting the social needs and aspirations of an individual group, class or culture.
Theory
Ideology
Synthesis
Editing
Question 2
Directors rarely manipulate the space of the scene, preferring to present all information from a single camera setup.
True
False
Question 3
Cinema is a language made-up of shots, angles, framing, motion, lighting, focus, edits, sound, music and visual tricks if not outright manipulation.
True
False
Question 4
Women filmmakers are all feminist in their film ideology.
True
False
Question 5
Simple ideological labels offer a sound approach to understanding the complexity of human values.
True
False
Question 6
A prejudice in favor of or against one thing, person, or group compared with another, usually in a way considered to be unfair.
Exclectic
Bias
Formalism
Aesthetic
Question 7
Native American people did not have any of their own culture or customs when Europeans arrived on the America's.
True
False
Question 8
Who is James Young Deer?
One of the character in Bambi
An Italian actor who pretended to be Native American
The star of Smoke Signals
An early Native American Filmmaker
Question 9
In most Hollywood western's, Native American people are seen as a killing machine or a simple helper. Both of these stereotypes see Native American people as barely more than animals.
True
False
Question 10
Nanook of the North d. James Flaherty is remarkable because it represents 100% truth without any manipulate on the part of the director.
True
False
Question 11
Which of the following are stereotypes of Native American people in classic Hollywood cinema?
Group of answer choices
The Femme Fatale
The Blood Thirsty Savage
The Noble Savage
The Affluent Business Man
Question 12
Hollywood has always cast Native-American people to play Native-American roles. Accurate representation has always been very important to the Hollywood film industry.
True
False
Question 13
Who were Alice Guy-Blache, Frances Marion, and Luis Webber?
Important and Innovative filmmakers in the early years of cinema
Hollywood Bombshell character types
Women who opposed the defamation league's view that women should not appear in film
Authors of the Feminist Manifest of Filmmaking in 1967
Question 14
A female character type who is aware of her sexuality and that she can use this sexuality to manipulate men.
Bombshell
The Madonna
Manic, Pixie, Dream Girl
Femme Fatale
Question 15
In classic Hollywood cinema, it was acceptable to hit, slap, or spank a woman, if she opposed a male viewpoint.
True
False
Question 16
This female character type mixes sexuality with innocence, or more frequently stupidity. This character is aware of her sexuality, but her simplicity as a person makes her less threatening than a femme fatale.
femme non menaçante
The Noble Savage
Femme Fatale
Bombshell
Question 17
This character grows from Madonna side of the stereotype. She is a unique and quirky person but they are actually a construct built to advance the male character in the film.
Femme Fatale
nouvelle vague
Bombshell
Manic Pixie Dream Girl
Question 18
According to this class, casting more women and Native-American people in films, without changing the writing and aesthetics of a film, is enough to solve all problems of representation in Hollywood cinema.
True
False